Critics' Opinion:
Readers' rating:
Published Mar 2017
432 pages
Genre: Literary Fiction
Publication Information
A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself.
The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.
At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.
With superlative emotional and intellectual sensitivity, mordant wit, and pitch-perfect style, Batuman dramatizes the uncertainty of life on the cusp of adulthood. Her prose is a rare and inimitable combination of tenderness and wisdom; its logic as natural and inscrutable as that of memory itself. The Idiot is a heroic yet self-effacing reckoning with the terror and joy of becoming a person in a world that is as intoxicating as it is disquieting. Batuman's fiction is unguarded against both life's affronts and its beauty - and has at its command the complete range of thinking and feeling which they entail.
"Starred Review. Readers who are willing to travel with Selin at her own contemplative pace will be grateful that they did. Self-aware, cerebral, and delightful." - Kirkus
"Starred Review. Selin is entrancing - so smart, so clueless, so funny - and Batuman's exceptional discernment, comedic brilliance, and soulful inquisitiveness generate a charmingly incisive and resonant tale of the messy forging of a self." - Booklist
"Starred Review. 'The mysterious relationship between language and the world' is just one of the questions troubling Selin, the 18-year-old protagonist of Batuman's (The Possessed) wonderful first novel, a bildungsroman Selin narrates with fluent wit and inexorable intelligence." - Publishers Weekly
"Despite its allusive title, this work is more modern fiction than Russian novel. The narrative is highly detailed and determinedly linear (compare Karl Ove Knausgaard or Ben Lerner), while the voice is lighthearted and wry, with occasional laugh-out-loud zingers ... Most readers will enjoy." - Library Journal
"Not since Don Quixote has a quest for love gone so hilariously and poignantly awry ... This book is a bold, unforgettable, un-put-downable read by a new master stylist. Best novel I've read in years." - Mary Karr, author of The Art of Memoir, Lit, and The Liars' Club
"For one wonderful week, I got to be this worldly and brilliant, this young and clumsy and in love. The Idiot is a hilariously mundane immersion into a world that has never before received the 19th Century Novel treatment. An addictive, sprawling epic; I wolfed it down." - Miranda July, author of The First Bad Man and It Chooses You
"Batuman's novel not only captures the storms and mysteries and comedies of youth but, in its wonderfully sensitive portrait of a young woman adventuring across languages and cultures, it brilliantly draws to our attention a modern politics of friendship. This is a remarkable book." - Joseph O'Neill, author of The Dog and Netherland
"Elif Batuman surely has one of the best senses of humour in American letters. The pleasure she takes in observing the eccentricities of each of her characters makes for a really refreshing and unique bildungsroman: one more fascinated with what's going on around and outside the bewildered protagonist, than what's going on inside her." - Sheila Heti, author of How Should a Person Be? and Ticknor
This information about The Idiot was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Elif Batuman’s first novel The Idiot, was a finalist for a Pulitzer Prize, and was shortlisted for the Women’s Prize for Fiction in the UK. She is also the author ofThe Possessed: Adventures with Russian Books and the People Who Read Them, which was a finalist for a National Book Critics Circle Award in criticism. She has been a staff writer at The New Yorker since 2010 and holds a PhD in comparative literature from Stanford University.
Link to Elif Batuman's Website
Name Pronunciation
Elif Batuman: EL-if BAH-tyooh-mahn
The Flower Sisters
by Michelle Collins Anderson
From the new Fannie Flagg of the Ozarks, a richly-woven story of family, forgiveness, and reinvention.
The House on Biscayne Bay
by Chanel Cleeton
As death stalks a gothic mansion in Miami, the lives of two women intertwine as the past and present collide.
The Funeral Cryer by Wenyan Lu
Debut novelist Wenyan Lu brings us this witty yet profound story about one woman's midlife reawakening in contemporary rural China.
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
